The Writing Life: reflections by a working writer.

The Writing Life: reflections by a working writer. The Writing Life

Reflections of a working writer, a university screenwriting professor, and the editor of Oregon Literary Review.

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Charles Deemer

Editor,
Oregon Literary Review

MFA, Playwriting, University of Oregon

Writing faculty, Portland State University (part-time)

Retired playwright and screenwriter.
Active novelist, librettist and teacher.

Email: cdeemer(at)yahoo(dot)com

The eagle flies!

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References

Bookstore
Highlights:

Finalist, Oregon Book Award

Practical Screenwriting

Love At Ground Zero

More books.

Blogs by (mostly) creative writers:

"Can We Talk About Me For A Change?"
Playwright Debra Neff Nathans

Inkygirl
Debbie Ridpath Ohi, a weblog for writers (resources)

Silliman's Blog
Ron Silliman, contemporary poetry and poetics

Maud Newton
literary links, amusements, politics, rants

Darren Barefoot
Technical and creative writing, theatre, Dublin

Rob's Writing Pains
Journey of a struggling writer.

Mad, Mad World
Cara Swann, fiction writer, journalist, "reflections on humanity, random news & my life."

Writeright
Random musings on a writer's life and times.

Flaskaland
Barbara Flaska's compilation of the best online articles about music and culture.

Write Of Way
Samantha Blackmon's written musings on writing (composition and rhetoric).

Alexander b. Craghead: blog
Writing, photography, and watercolors.

Rodney's Painted Pen
Rodney Bohen's daily commentary "on the wondrous two legged beast we fondly refer to as mankind." His pen runneth over.

Frustrated Writer
This one named Nicole.

scribble, scribble, scribble
Journalist Dale Keiger teaches nonfiction scribbling to undergraduate and graduate students at Johns Hopkins University.

The Unofficial Dave Barry Blog
The very one.

The Hive
The official blog of science fiction / horror author Terence West.

William Gibson Blog
Famed author of Neuromancer and Johnny Mnemonic: The Screenplay.

The Word Foundry
Joe Clifford Faust's "blog of a working writer: tracking writing projects, musings on the creative process, occasional side trips into music, media, politics, religion, etc."

A Writer's Diary
By Cynthia Harrison, who has the good sense to quote Virginia Woolf: "The truth is that writing is the profound pleasure and being read the superficial."

Bow. James Bow.
The journal of James Bow and his writing.

Ravenlike
Michael Montoure's weblog about writing, primarily horror and speculative fiction.

Globemix
By David Henry, "a poet's weblog from Aberdeen, Scotland."

Modem Noise
By Adrian Bedford, a "fledgling Pro SF Writer, living in Perth, Australia."

boynton
"A wry writerly blog named in honour of a minor character in a minor Shirley Temple film."

Real Writers Bounce
Holly Lisle's blog, "a novelist's roadmap through the art and ordeal of finding the damned words."

2020 Hindsight
By Susan.

downWrite creative
Phil Houtz's notes on the writing life.

Vivid: pieces from a writer's notebook
Blog of Canadian poet Erin Noteboom.

The Literary Saloon
The literary weblog at the complete review.

Rabbit Blog
The rabbit writes on popular culture.

This Girl's Calendar
Momoka writes short stories.

Twists & Turns
Musings by writer Michael Gates.

Plays and Musicals -- A Writer's Introspective
A blog by John D. Nugent - Composer, Playwright, and Artistic Director of the Johnson City Independent Theatre Company

The American Sentimentalist
"Never has any people endured its own tragedy with so little sense of the tragic." Essays by Mark W. Anderson.

Screenwriting By Blog
David C. Daniel writes a screenplay online. "I've decided to publish the process as a way to push myself through it. From concept to completion, it'll be here."

SeanAlonzo.com
Official site of occult fiction author Sean-Alonzo, exploring symbolism, alternative history, philosophy, secret societies and other areas of the esoteric tradition.

Crafty Screenwriting
Maunderings of Alex Epstein, tv scribe, about life, politics, and the tv show I'm co-creating.

Letters From The Home Front
The life of a writer, 21, home schooled, rural living.

Venal Scene
The blog of bite-sized plays inspired by the news (by Dan Trujillo).

'Plaint of the Playwright
Rob Matsushita, a playwright from Wisconsin, "whines a lot."

I Pity Da Fool!
Glenn's adventures in screenwriting.

Time In Tel-Aviv
Hebrew modern literature at its best, by Corinna Hasofferett.

Big Window
Robin Reagler's poetry blog.

John Baker's Blog
Author of the Sam Turner and Stone Lewis novels.

The Writing Life With Dorothy Thompson
What goes on during a writer's busy day?

The Rebel Housewife
Not just a housewife!

Barry's Personal Blog
A running commentary on writing and the writing life.

Bonnie Blog
Maintained by Bonnie Burton of grrl.com.

Writer's Blog.
By easywriter. "From the walls of caves to cyberspace."

Flogging the Quill
Pursuing the art and craft of compelling storytelling, by an editor, Ray Rhamey.

Man Bytes Hollywood
Sharing tools, strategies and resources for the screenwriter's journey.

Mad for the smell of paper
A writing journal.

The Writing Life
A blog by Katey Schultz.

It Beats Working 9-5
A screenwriting blog by a young Canadian screenwriter.

Stealing Heaven From The Lips Of God
Writer & Artist, Dee Rimbaud reflects upon politics, religion, art, poetry, the meaning of life, the nature of God and why toast always lands butter side down on carpets.

Robert Peake
Heart and Mind, Fully Engage ... a poet's website.

Sidestepping Real
By Ren Powell, poet, children’s writer, essayist and editor.

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The Writing Life...

"An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's."
J.D. Salinger

"All my best friends are writers and are dead."
A friend over beer, Berkeley, winter, 1959

"And it came to pass that all the stars in the firmament had ceased to shine. But how was anyone to know?"
The Half-Life Conspiracy

After October 31, 2006,
new posts are published at

The Writing Life II

(Posts archived here are from 01/10/03 - 10/31/06)

Monday, October 16, 2006

Old men as clowns
Absolutely no one knew more about the comic potential of old men, especially when playing opposite young women on stage, than Moliere. What is amazing to me is that so often he played the old man, usually cuckolded, and his wife the young woman. He had the artist's ability to turn personal tragedy and pain into dramatic comedy on stage.

This is the premise of my stage play Sad Laughter and the subsequent screenplay of the same name. First commissioned by the New Rose Theatre, and successfully produced under the title The Comedian In Spite Of Himself, this three-act version of Moliere's story was a critical and financial success -- except that I didn't like it much. The artistic director, who did, let me keep rewriting through the entire run, much to the chagrin of the cast, and so there were six different versions of the play produced, a different one each week! An astounding opportunity for a playwright.

What bothered me was that the story I wanted to tell, about Moliere and his young wife who was possibly his daughter, got buried in a subplot. I wanted to bring it stage center. My contract said the New Rose got a cut of subsequent royalties for five years, so I buried the play that long, not marketing it. Then I took it out, changed the three-act structure to two-act, and moved the personal story forward. I loved the result, though no one was in a rush to do it. I finally directed a college production myself. A scene and monologue from the play have been anthologized respectively in Best Stage Scenes of 1996 and Best Men's Stage Monologues of 1996. The monologue, which ends the play, is probably the best one I've ever written:

MOLIERE: Shed no tears! You rot in one grave as another;
If you don't believe that, don't ever have a mother.
The luck that gets us all got me—
Though I'm better off than most, you must agree.
Consider this: though I am dust, you're glad to pay
Right through the nose to see my plays!
Without me, Montfleury's just a name;
Because of me, he has a kind of fame.
The Archbishop of Paris is no concern of yours
Except for me — I give him the notoriety he deserves.
In other words, why shed a tear for me?
My plays live on until eternity!
Oh, I know — in your age the time is getting short,
Everywhere there's war, famine, a great environmental wart.
Yet you insist your own age is unique:
"Never has civilization reached such a peak!"
But I question this wisdom found on TV and in "Forbes,"
Though maybe that's presumptuous, coming from a corpse.
Still, I don't see our times as different, I confess,
Since in your age, as in mine, it's all a mess.
Though you've reached the moon, discovered strange galactic gasses,
Three hundred years later, the world's still full of asses!

(LA GRANGE enters.)

LA GRANGE: So we hope we've moved you and given you a little fun; In truth,—
MOLIERE & LA GRANGE: — there's not a damn thing new beneath the sun.

(MUSIC FANFARE AND CURTAIN CALL: THE PLAY IS OVER.)

Then I converted the play to a screenplay, right after the success of Shakespeare In Love. My agent at the time thought it was the best screenplay he'd ever handled, which if you know anything about Hollywood is close to a kiss of death (i.e. the agent handling Dead Poets Society: "This is the best thing you've ever written. I don't think I can sell it." -- the two sentences that say more about the industry than any two sentences I know. High compliments often mean it's too literary or high-brow.). Actually I later had a couple close calls with it, and I still market it. Eventually someone is going to put Moliere's incredible story on film, and they might as well use my script. Both the screenplay and the stageplay have been published (see previous link), so my rights on my particular take are well protected. I am proud of both play and screenplay, and my late friend Ger thought it was my very best work. But then he was a classically trained actor, which the stage play at least requires.

In both scripts, I also put into Moliere's mouth words from my own heart:

I often play the cuckold on stage, don't I? So maybe I'm just practicing. That's what we live for, isn't it? Perfecting our parts? Fine-tuning our roles? I know I haven't given you much attention lately. I mean, you're right, our life is a rehearsal. My life is a dress rehearsal for a play. Even now, as I hear myself talking, I wonder where I'll be putting this, in what future scene in what future play I'll be standing before someone like you, perhaps before you yourself, the actress, and I'll be the actor, and we'll be talking — in some play, some day — much as we are talking here now. Because that's what my life seems to be, a dress rehearsal for a play. Which, strictly speaking, doesn't really make my life much of a life at all, does it?

Hence my memoir is entitled Dress Rehearsals.
Amen.

10/16/2006 12:25:00 PM | 0 comments

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__The Writing Life

After October 31, 2006, new posts are published at

The Writing Life II

After October 31, 2006,
new posts are published at